There’s no way Burlesque will be able to recover its reported $60 million budget (not including distribution/marketing costs) at the domestic box office.
4, the Cher-Christina Aguilera musical Burlesque scored $11.94 million, followed by Tony Scott’s Unstoppable, starring Star Trek‘s Chris Pine and Denzel Washington, with $11.43 million at no. 3, DreamWorks’ animated 3D feature Megamind, with the voices of Will Ferrell, Tina Fey, and Brad Pitt, drew $12.57 million.Īt no. New Moon Breaks Box Office Records Except Key 1 + Debilitating Twilight WeaknessĪt a distant no. At least partly thanks to 3D surcharges and 2010’s higher ticket prices, Tangled had the second biggest Thanksgiving opening ever. 2 was Disney’s animated 3D feature Tangled, which brought in $48.76 million. to spend $200 million making the latest Harry Potter installment.Īt no. Overseas markets, in fact, have allowed Warner Bros. International grosses currently represent 64 percent of Harry Potter and the Deathly Hallows: Part 1‘s total take. Top markets are the United Kingdom with $53.5 million, Germany with $36.8 million, Japan with $34.8 million, and Australia with $25.1 million.Īlso, according to The Hollywood Reporter Deathly Hallows pulled in $19.1 million on its debut weekend in France. Overseas, the latest Harry Potter – which topped the international box office for the second weekend in a row – has grossed an estimated $389.2 million. The latest installment in the Harry Potter franchise pulled in $49.1 million – over $1 million less than Sunday estimates – according to weekend actuals found at. 30 update: Featuring Daniel Radcliffe, Rupert Grint, Emma Watson, Ralph Fiennes, Helena Bonham Carter, Julie Walters, Imelda Staunton, Miranda Richardson, and many other well-known British actors, David Yates’ Harry Potter and the Deathly Hallows: Part 1 topped the North American box office this past weekend (Nov. “We set out to create an optimistic, energetic celebration of diversity, community, and the unstoppable momentum of women’s rugby, the result is Team Powered,” explains Elise Santangelo-Rous, creative director at DesignStudio.Nov. As well as capturing the collective spirit that drives the game, DesignStudio sought to create something that didn’t look, sound or feel like any other sport with its new campaign. When they come together, they “become a brilliant representation of the team and the women’s rugby community,” DesignStudio’s design director David Moloney explains.
The illustrated team of players – including Nurma, Dolores, Petra and Kenesha – appear across the graphics and visuals for Team Powered, moving as one unit. Working for Women In Rugby and World Rugby, the creative agency collaborated with LA-based, Argentinian-born illustrator Xoana Herrera to create a “team” of original characters for Team Powered, “highlighting the athleticism, power, and diversity found across the sport,” explains TJ Rees, campaign director at DesignStudio. Women’s rugby has received an “energetic” rebrand with a new campaign from DesignStudio, which aims to build on its momentum as one of the fastest growing sports and help the game break into the mainstream.
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